Movie Review

The Ice Storm

Starring a whole mess of actors like Kevin Kline, Sigourney Weaver, Tobey MacGuire, etc. etc.

Stars: I guess...

This was apparently somewhat of an acclaimed film (from 1998) that I in no way recall having heard of before being sick and seeing it on TV today. This means nothing of course. It exists. Click the graphic to prove it.

The plot concerns a familiar retread of suburban infidelity and hijinx that happen during "changing times," as chronicled in a whole mess of films like The Big Chill, American Beauty, etc. Critics and scriptwriters seem to be deeply moved by this stereotype of uptight, alcoholic suburbanite conformists in failing marriages and their glazed and desperate drug-using teen offspring.

This film has all of the usual period touches (it is set in the early 70's) of Nixon on TV in the background, polyester pantsuits and whitish lipstick on the brittle wives, waterbeds and vinyl couches, just in case we forget for a minute how bad our collective judgment was at the time.

The story ping-pongs between sleazy and depressing adult antics like wife-swapping "key parties" (put your car keys in a bowl by the door) and depressing teen antics like joyless preliminary sexual encounters, choking on bong hits, and stealing Valium from medicine cabinets. Let us not forget the tense scenes when teens and adults meet, at the archetypal family dinner table, always a sullen and tense affair.

Apparently the fanciful title "Ice Storm," while artfully hinted at with icy symbols like windchimes, glass doors, and failed relationships, actually does refer to an actual weather incident, which appears toward the end of the movie. By this point I had been on the couch for 6.5 hours with a half-assed cold of sorts and could not watch another second of the film.

I think this is pretty much all I have to say about it. I could go on about the fact that no suburban family I ever knew (and I knew a lot of them) was dysfunctional in quite this brittle and meanspirited way that the movies seem to think they all were, but what do I know. Usually when families were unhappy that I recall, they didn't stay together making nice and giving each other tight smiles while sleeping with the neighbors-- they usually just divorced.

Good thing Newsweek recently declared the demise of the nuclear family-- maybe now movies like this will stop seeming so vital and true to life to all of the screenwriters and critics at some point.

The Substitute

Starring Tom Berenger

Stars: and a half

Instead of a graphic, here's a review by someone who probably watched the whole film. I didn't.

This film, also stumbled upon in my 6.5 marathon session of sitting on the couch today feeling sick, is another film I had never heard of before today. I came into it 40 minutes after the opening and thus thought it was a "Stand By Me" style "blighted urban school makes good" kind of film. Tom Berenger was using bad-ass inner-city schoolteacher tactics like martial arts armtwisting and sarcastic, yet caring put-downs on the wayward, weapon-packing students in an attempt to earn their respect.

As the film wore on, however, there seemed to be this whole other plot layer where Tom Berenger is some kind of Green Beret type on some mission to expose corruption (of the murdering variety) in the school administration. Thus when I clicked back and forth on bits of the film inderdispersed with Dixie chick videos and baseball highlights, Tom was rolling under desks in a bulletproof vest, throwing guys out of plate glass windows, and tracking people's movements with video surveillance equipment hidden in a briefcase.

There were also scenes where he was romancing the injured teacher that he was subbing for by sticking a coat hanger into her cast to scratch her itches. This part was really weird.

My concluding comment here, as I didn't see any part of the film's second half, is that looks-wise, Tom Berenger is kind of an appealing bad ass of the Russell Crowe variety, but that in the 80's, the stereotype of the gangy thugtastical urban highschool was often clownily overdone.

 

 

 

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